Shailly is a playwright, librettist, and filmmaker whose work moves between family legacy, cultural inheritance, and the machinery of American justice. A former trial attorney, she has come to understand storytelling as a way to bridge the disconnect from ourselves and each other. Read More:

Mata Gee - a play
Four generations of women in one family, from a Partition-era village to NYC, reckon with what they buried, what they carried, and what they refuse to hand down.

Cosmic Dancer - a play
Shiva and Parvati's love story and the birth of Ganesha, told through original music, Indian classical dance-inspired movement, and puppetry.

American Tune - a musical
A public defender, a Supreme Court justice, and a courthouse full of the accused spin through a carousel of American justice, discovering that "I object" is not a legal formality but an act of democratic resistance.

Three Soldiers - a film
Three families of Americans Soldiers who died serving in Iraq

The Bride Wears Red - a film
Kodak Award-winning short about Indian identity.

Avoid Agony - short story
Published in the Queens Noir anthology.

Fire Keeper - a narrative non-fiction book (in progress)
A prosecutor turned public defender turned restorative justice advocate charts her thirty-year passage out of a system built on punishment and toward one built on repair.

The City of Maya - a non fiction book (in process)
The Bhagavad Gita's questions of duty, illusion, and right action, carried into a modern life that has to answer them.

The Restorative Center

She is the founder of a restorative justice nonprofit, where she has seen storytelling create connection in the midst of community crisis and watched intergenerational story sharing build pathways through the primal transmission of wisdom.

She lives and works in New York City and the Hudson Valley.

A black and white illustration of a woman with long hair looking to the side, a handwritten signature that says 'Shah' next to it, and the word 'WRITES' underneath.
Poster for a play titled 'Mata Gee' by Shailly Agnihotri, scheduled for Saturday, August 1, 2026, at 3 PM at La MaMa Experimental Theatre Club with tickets available at a shortened link. The poster features a stylized illustration of a woman holding a child and a young girl, with additional text indicating the director, dramaturg, and sponsors.

PopUp is thrilled to announce the developmental reading of Mata Gee, a new play by Shailly Agnihotri.

Told in seven parts, Mata Gee follows four generations of women from the Partition of India to present-day New York. It is nonlinear and ensemble-driven, blending memory, movement, and humor to explore displacement, inherited identity, and the stories that shape us across generations.

Directed by Neeta Thadani

Dramaturgy by Karina Patel

Featuring:

Sanjana Taskar

Anvita Gattani

Miraya Burka

Maya Buffomante

ART WILL LIGHT THE WAY
pink and green geometric graphic
pink and green geometric graphic
Three men are dancing on stage with a musician playing keyboard in the background. The men are in close proximity, with one rubbing the other's back while dancing, and the musician is focused on his instrument. The stage has a black backdrop.
Three actors performing on stage with a black background, each with expressive facial expressions and hand gestures.
Three performers on a dark stage, two with their eyes closed and one with a neutral expression, engaging in a theatrical or dance performance.
A woman with red hair in a black outfit with open arms singing on a stage with two musicians in the background, one playing guitar and the other playing keyboard.

Art will light the way

American Tune

A Musical in Development

A public defender and a defendant fight for constitutional rights all the way to the Supreme Court. The Supremes -the six women who have served as Justices - transform their case into a battle for the soul of American democracy.

Selections of American Tune will be presented as

The Supremes:

Poster for the International Human Rights Art Festival featuring artwork by Hannah Arendt, presented by the Hannah Arendt Center. The event takes place from June 5-7 at The 30th Street Theater and is supported by the National Endowment for the Arts, Freedom 250, and other sponsors.

Hudson Valley!

Shared Shape @ Wildheart

June 13th! at 7:30

More  here:

Four performers standing on a stage, with a black background and stage lights overhead. The performer on the far right is a woman with long red hair, smiling, wearing a black shirt with a gray garment over it and red shoes. The performer on the far left is a man with long curly hair, wearing a black t-shirt, black pants, and black shoes. The two other performers in the middle are men; one is wearing glasses and a black shirt, smiling, and the other has short hair, wearing a black t-shirt, with arms outstretched, holding a lantern in one hand. There is also a keyboard on a stand in the background.

Cast + Creative

A woman with dark hair and a blue patterned top indoors, gesturing with her right hand near her chest and looking at the camera.

Shailly Agnihotri

Book and Lyrics
Young man with dark hair and glasses playing a red keyboard, wearing a gray blazer and white shirt, sitting against a plain wall.

James Bally

Composer

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Portrait of a young woman with shoulder-length dark brown hair, blue eyes, and light skin, wearing a sleeveless maroon top against a dark blue background.
Justice Sotomayer & Priestess of Vesta

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Marion Avilla

Close-up of a smiling man with medium brown skin, short hair, wearing a mauve button-up shirt with a checkered collar, standing against a light blue background.

Bilal Walker

Portrait of a woman with short hairstyle and blue eyes, wearing a white top, smiling, with a blurred wooden background.
Co-Director

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Neva Cockrell

A close-up photo of a person with long, curly blond hair, blue eyes, and a septum piercing, wearing a gray top and looking directly at the camera.
Bailiff, Citizen, & Co-Producer

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Raphael Sacks

A woman with long dark hair, brown eyes, and a pink lace top, resting her face on her hand, against a teal background.
Associate Producer

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Miraya Burka

squiggles
pink and green geometric graphic
black geometric shape

Development Process

Hudson Valley & NYC

Why This Story Now

"American Tune" channels thirty years of legal experience into participatory theater that confronts audiences with their role in systems of justice and oppression, ultimately asking them to move from passive observers of democratic decay to active participants in its resurrection.

The Story

A detained immigrant demands his constitutional right to a jury trial instead of accepting a plea deal, leading he and his overworked public defender to visit the Supremes.

A demand for constitutional rights transforms into a satiricaljourney from fluorescent-lit criminal courthouse to the Supreme Court, where they encounter the six women who have served as Justices—appearing as "The Supremes," a  gospel choir of constitutional guardians sharing personal stories like Sotomayor's tribute to her mother in "Celine's Girl."

When the marble courthouse devolves into surreal game show spectacle and an authoritarian Bailiff seizes control, detaining Jones in chains, their fight for individual justice becomes a battle for democracy itself.

n the mystical finale, Jones breaks his chains, and the sparks ignite pieces of the broken courthouse carousel into individual torches that literally illuminate both stage and audience during "We the People"—transforming everyone from passive observers into active participants and revealing that saving one person's constitutional rights means saving democracy itself.

I

Abstract geometric art with large irregular ochre shape on a pink background.